This is Not It: Recognizing Michael Jackson(TM) In What Remains

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Working Day and Night': Performing Black Manhood as the King of Pop

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Prof. Adreanna Clay recounts a 1969 television appearance on the Ed Sullivan show, where a child Michael Jackson leads his brothers in a cover of Smokey Robinson’s “Who’s Lovin’ You,” singing lyrics about love lost on the playground. However, through this skillful portrayal of an adult male mourning the loss of his true love, he was accepted as a man. In her talk, Clay argues that the public’s sexualization and later disposal of Michael Jackson as a Black male in the public sphere, mirrors the spectacularization of Black men and Black male bodies in popular culture and discourse.

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Michael Jackson: The Original Post Racial Soul Brother


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Michael Jackson emerged in the 1970s, when black popular culture was straddling the contradictory impulses toward the celebration of an essentialized black identity and the desires of many for non-threatening - non-racial - popular acceptance. As Dr. Ricky Vincent argues, Mr. Jackson was to become the world’s greatest interpreter of black styles, from soul to disco to pop and even hip hop, a great unifier, utilizing the talents of popular stars from outside of the black music world such as Paul McCartney, Eddie Van Halen and Vincent Price on Jackson’s landmark “Thriller” album.

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CRG Distinguished Lecture - Prof. Cathy Cohen

Date: 
Thursday, April 29, 2010 - 5:00pm - 8:00pm

Save the Date!

The Center for Race and Gender presents Distinguished Guest Lecture

Prof. Cathy Cohen
University of Chicago

Prof. Cohen will be discussing the racial politics of prop 8 and same sex marriage, as well as the radical potential of intersectional politics.  More info coming soon.


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