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Contemporary Dance as Subversive Pedagogies - Audio

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Contemporary Dance as Subversive Pedagogies
CRG Thursday Forum: 1/26/12

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Contemporary Dance as Subversive Pedagogies

Presenter: 
"Techniques for Black (Male) Re/Dress," Naomi Elizabeth Bragin, Performance Studies
Presenter2: 
"Ethics and Interculturalism in Contemporary Dance: Jérôme Bel’s Pichet Klunchun and Myself," Prof. SanSan Kwan, Performance Studies
Date: 
Thursday, January 26, 2012 - 4:00pm - 5:30pm
Location: 
691 Barrows Hall

CONTEMPORARY DANCE AS SUBVERSIVE PEDAGOGIES

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Who's Bad?: Michael Jackson's Movements

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Meghan Pugh, PhD Candidate, UC Berkeley English Department, explores Jackson's dancing in the context of debates about race, gender, and American dance history. Jackson drew on a rich tradition of black vernacular dancing stretching back to the nineteenth-century, when Billy Kersands first did the Virginia Essence—the sliding, backwards step Jackson would make his own as the moonwalk—on the minstrel stage. Jackson also channeled the thrusting pelvis and wobbly hips of Elvis, a white man famous for singing like a black man.

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